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How to attack the bunker line Domination tactics during attacks, the first target is "burning tower" instead of "bunker-end" to Attack from the edge of the bunker The first person to reduce the number of "bunker" is a top priority to destroy. Away the opponent s Risupon to destroy a bunker, resulting in "burn tower" can easily overwhelm. We attack the root of the outermost ends of either the bunker. When you destroy the turret bunkers and light vehicles, less likely to be overthrown. Let s have a variety of grenades and RPG. The "bunker" when to charge, the first person to place a bomb rather than immediately around the "clearing" Please do. However, if there is no shadow enemy immediately surrounding the installation is OK. Please also make sure that the mini-map came from behind with a friend. Let s all together in a cluster charge as much as possible to the bunker.
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概要 通称 レザーウルフ 生息地 Ter Mur 関連生物 leather wolf (made) 名声 4500, 2500(仲間) カルマ -4500, -2500(仲間) 忠誠度 0 戦利品 120-140 gold, Leather Wolfの皮, 狼の光る眼, オルゴール用歯車[Music Gear] 解体 1 生のあばら肉, 7 Spined Hides(仲間はNormal) アビリティ 仲間を呼ぶ, ブリードアタック 特効 ウルフ テイム可能値 - バード難度 81.4 ステータス ステータス HP スタミナ マナ STR DEX INT 最小 292 101 20 102 101 20 最大 348 122 35 125 122 35 仲間 ステータス HP スタミナ マナ STR DEX INT 最小 83 102 21 102 102 21 最大 110 125 35 124 125 35 抵抗 抵抗 物 炎 冷 毒 エ 最小 40 20 30 20 20 最大 50 30 40 30 25 仲間 抵抗 物 炎 冷 毒 エ 最小 35 10 20 10 10 最大 50 20 30 20 15 ダメージ DMG 物 炎 冷 毒 エ 12-23(xx-xx) 100 仲間 DMG 物 炎 冷 毒 エ 9-20(xx-xx) 100 スキル スキル 格闘 戦術 耐性 解剖学 毒 魔法 評価 瞑想 最小 73.0 80.1 80.1 0 - - - - 最大 88.4 87.7 95.0 0 - - - - 仲間 スキル 格闘 戦術 耐性 解剖学 毒 魔法 評価 瞑想 最小 64.8 51.4 58.0 0 - - - - 最大 74.8 69.0 74.4 0 - - - - その他 食べ物 肉 グループパワー 犬系 コメント 名前 コメント
https://w.atwiki.jp/pathofexile12/pages/940.html
The Archmage s Right HandはDivination Cardの一種 交換可能アイテム 入手方法 関連リンク The Archmage s Right Hand 必要枚数 7枚 Glyphic Prophecy WandItem Level 100 When grasped in his hand, even an ordinary piece of wood can make the heavens tremble with fear. 交換可能アイテム "(85-99)% increased Spell Damage"のModを持つProphecy Wand 変換先 Prophecy Wand 入手方法 このカードがドロップするエリア カード等のドロップ以外の入手方法 アイテム 必要数 備考 The Gambler 5 Stacked Deck 1 関連リンク 英wiki https //pathofexile.gamepedia.com/The_Archmage%27s_Right_Hand Divination Card
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Format Title Artist Label Model Number Release Press 12 BREATHE EP SEEDA KSR,MANHATTAN RECORDS XNKCANG-1001 2010/10/27 500 Side Track Title Produce A 1 THIS IS HOW WE DO IT CRADA 2 THIS IS HOW WE DO IT(Inst) CRADA 3 ALIEN ME BACHLOGIC 4 ALIEN ME(Inst) BACHLOGIC B 5 LIFE SONG feat.DAVID BANNER FUEKISS 6 LIFE SONG(Inst) FUEKISS 7 BIX 90 S BACHLOGIC PERTAIN CD BREATHE
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[Disc 1] 01 Public Service Announcement 2000 02 Kill You 03 Stan feat. Dido 04 Paul (Skit) 05 Who Knew 06 Steve Berman (Skit) 07 Way I Am feat. Marilyn Manson 08 Real Slim Shady 09 Remember Me? feat. Rbx & Sticky Fingaz 10 I m Back 11 Marshall Mathers 12 Ken Kaniff (Skit) 13 Drug Ballad 14 Amityville feat. Bizarre from D12 15 B**** Please II feat. Dr. Dre, Snoop Dogg, Xzibit & Nate Dogg 16 Kim 17 Under The Influence feat. D12 18 Criminal [Disc 2] 01 The Real Slim Shady (Instrumental) 02 The Way I Am (Instrumental) 03 Stan (Instrumental) 04 Kids (Explicit Version) 05 The Way I Am (Danny Lohner Remix)
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詳説・特徴 ジェムレベルによる変化 入手方法 エンチャント 関連リンク Arctic Breath imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 Spell,Projectile,Duration,AoE,Coldマナコスト 8-23詠唱時間 0.7秒追加ダメージ倍率 80% Fire an icy projectile that bursts on impact or when reaching the targeted area, dealing area damage and creating a chilling area that deals cold damage over time. This area will creep across the ground towards nearby enemies until its duration expires. クオリティ1%あたり0.5% increased Area of Effect日本語訳求む Deals (13-350) to (19-524) Cold Damage(13-350)～(19-524)のColdダメージを与える Base duration is 5 seconds基本持続時間は5秒 Can have up to 10 Chilling Areas日本語訳求む Deals (16.7-1383.5) Base Cold Damage per secondsecondごとに(16.7-1383.5) Base Cold DamageにDeals Modifiers to Spell Damage apply to this Skill s Damage Over Time effect日本語訳求む imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 詳説・特徴 ジェムレベルによる変化 +... レベル マナコスト base_cold_damage_to_deal_per_minute spell_maximum_base_cold_damage 1 12 14 21 8 1004 13-19 2 15 17 25 9 1401 16-24 3 19 21 30 10 2043 21-32 4 23 24 35 11 2907 28-42 5 27 28 41 12 4051 36-54 6 31 32 46 13 5546 46-68 7 35 36 51 14 7473 58-87 8 38 38 55 15 9426 68-103 9 41 41 59 16 11798 81-121 10 44 44 63 16 14668 95-142 11 47 47 67 17 18127 111-167 12 50 49 71 18 22280 130-195 13 53 52 75 19 27252 152-228 14 56 55 79 19 33185 177-265 15 59 58 83 20 40204 205-308 16 62 60 87 21 48581 238-357 17 64 62 90 21 55737 262-393 18 66 64 92 22 63802 289-433 19 68 66 95 22 72812 318-477 20 70 68 98 23 83009 350-524 21 72 70 100 24 94458 384-576 22 74 70 100 24 107211 422-633 23 76 70 100 25 121588 464-695 24 78 70 100 25 137679 509-763 25 80 70 100 26 155670 558-837 26 82 70 100 26 175641 612-918 27 84 70 100 27 198061 670-1006 28 86 70 100 27 223064 734-1102 29 88 70 100 28 250924 804-1206 30 90 70 100 28 281944 880-1320 31 91 70 100 28 302578 920-1381 32 92 70 100 29 324480 963-1444 33 93 70 100 29 347722 1007-1510 34 94 70 100 29 372157 1053-1579 35 95 70 100 29 398292 1101-1651 36 96 70 100 30 425996 1151-1726 37 97 70 100 30 455356 1203-1804 38 98 70 100 30 486200 1257-1886 39 99 70 100 30 519132 1314-1971 40 100 70 100 31 554001 1374-2060
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First Music Hornpipe Second Music Hornpipe (The curtain rises) Overture - Trumpet Tune FIRST ACT BOY Wake, Quivera, wake, our soft rest must cease, And fly together with our country s peace; No more must we sleep under plantain s shade, Which neither heat could pierce nor cold invade; Where bounteous nature never feels decay, And opening buds drive falling fruits away. GIRL (Quivera) Why should men quarrel here,where all possess As much as they can hope for by success? None can have most where nature is so kind As to exceed man s use, though not his mind. BOY By ancient prophecy we have been told, Our land shall be subdu d by one more old; And see that world already hither come. GIRL, BOY If these be they we welcome then our doom. BOY Their looks are such that mercy flows from hence, More gentle than our native innocence; By their protection let us beg to live They come not here to conquer, but forgive. GIRL, BOY If so your goodness may your power express, And we shall judge both best by our success. Trumpet Tune SECOND ACT Symphony FAME AND CHORUS I come to sing great Zempoalla s story Whose beauteous sight so charming bright Outshines the lustre of glory. We come to sing great Zempoalla s story Whose beauteous sight so charming bright Outshines the lustre of glory. ENVY AND TWO FOLLOWERS What flattering noise is this, At which my snakes all hiss? I hate to see fond tongues advance High as the Gods the slaves of chance. What flattering noise is this, At which my snakes all hiss? FAME Scorn d Envy, here s nothing that thou canst blast Her glories are too bright to be o ercast. ENVY AND FOLLOWERS I fly from the place where flattery reigns, See those mighty things that before Such slaves like gods did adore Condemn d and unpitied in chains. I fly from the place where flattery reigns. I hate to see fond tongues advance High as the Gods the slaves of chance. What flattering noise is this, At which my snakes all hiss? FAME Begone, curst fiends of Hell, Sink down, where noisome vapours dwell, While I her triumph sound, To fill the universe around. FAME AND CHORUS I come to sing great Zempoalla s story Whose beauteous sight so charming bright Outshines the lustre of glory. We come to sing great Zempoalla s story Whose beauteous sight so charming bright Outshines the lustre of glory. THIRD ACT ISMERON Ye twice ten hundred deities To whom we daily sacrifice, Ye pow rs that dwell with fates below And see what men are doom d to do, Where elements in discord dwell Thou god of sleep arise and tell Great Zempoalla what strange fate Must on her dismal vision wait. By the croaking of the toad In their caves that make abode, Earthy dun that pants for breath With her swell d sides full of death, By the crested adders pride That along the cliffs do glide, By thy visage fierce and black, By the death s head on thy back, By the twisted serpents plac d For a girdle round thy waist, By the hearts of gold that deck Thy breast, thy shoulders and thy neck, From thy sleeping mansion rise And open thy unwilling eyes, While bubbling springs their music keep, That used to lull thee in thy sleep. Symphony (The God of Dreams rises) GOD OF DREAMS Seek not to know what must not be reveal d, Joys only flow when hate is most conceal d. Too busy man would find his sorrows more If future fortunes he should know before; For by that knowledge of his destiny He would not live at all but always die. Enquire not then who shall from bonds be freed, Who tis shall wear a crown and who shall bleed. All must submit to their appointed doom, Fate and misfortune will too quickly come. Let me no more with powerful charms be press d I am forbid by fate to tell the rest. Trumpet Overture AERIAL SPIRITS Ah, how happy are we! From human passions free. Ah, how happy are we! Those wild tenants of the breast, No, never can disturb our rest. Ah, how happy are we! Yet we pity tender souls Whom the tyrant of love controls, Ah, how happy are we, From human passions free! We the spirits of the air That of human things take care, Out of pity now descend To forewarn what woes attend. Greatness clogg d with scorn decays, With the slave no empire stays. We the spirits of the air That of human things take care, Out of pity now descend To forewarn what woes attend. Cease to languish the in vain Since never to be loved again. We the spirits of the air That of human things take care, Out of pity now descend To forewarn what woes attend. ZEMPOALLA I attempt from love s sickness to fly in vain, Since I am myself my own fever and pain. No more now, fond heart, with pride no more swell; Thou canst not raise forces enough to rebel. I attempt from love s sickness to fly in vain, Since I am myself my own fever and pain. For love has more power and less mercy than fate, To make us seek ruin and of those that hate. I attempt from love s sickness to fly in vain, Since I am myself my own fever and pain. Third Act Tune Rondeau FOURTH ACT ORAZIA They tell us that your might powers above Make perfect your joys and your blessings by love, Ah! Why do you suffer the blessing that s there To give a poor lover such a sad torments here? Yet though for my passion such grief I endure, My love shall like yours still be constant and pure. To suffer for him gives an ease to my pains; There s joy in my grief and there s freedom in chains. If I were divine he cou d love me no more, And I in return my adorer adore, O, let his dear life then, kind gods, be your care, For I in your blessing have no other share. Fourth Act Tune Air FIFTH ACT CHORUS While thus we bow before your shrine, That you may hear great pow rs divine, All living things shall in your praises join. HIGH PRIEST You who at the altar stand Waiting for the dread command The fatal word shall soon be heard, Answer then, is all prepared? CHORUS All s prepared. HIGH PRIEST Let all unallow d souls begone Before our sacred rites come on. Take care that this be also done. CHORUS All is done. HIGH PRIEST Now in procession walk along And then begin your solemn song. CHORUS All dismal sounds thus on these off rings wait, Your pow r shown by their untimely fate; While by such various fates we learn to know, There s nothing, no, nothing to be trusted here below. The Masque of Hymen (1695) Masquerade de Daniel Purcell Symphony HYMEN To bless the genial bed with chaste delights, To give you happy days and pleasant nights, Lo! I appear to crown your soft desires, And with this sacred torch to consecrate Love’s fires. A FOLLOWER OF HYMEN Come all, come all, Come, come at my call, Heroes and lovers, come away, Come all, and praise this glorious day. CHORUS Come all, and sing great Hymen’s praise, The god who makes the darkest night Appear more joyful and more bright Than thousands of victorious days. TWO MARRIED PEOPLE He I’m glad I have met him. She Let me come at him! He Bane of passion, She pleasure’s curse! Both Confounded inventor of better for worse! You told us indeed you’d heap blessings upon us, You made us believe you, and so have undone us. He In railing She and wailing, Both Lamenting, repenting, we pass all our days, What stomach have we to sing thy praise? HYMEN Good people, I’d make you all blest if I could, But he that can do it must be more than a god; And though you think now perhaps you are curst, I’ll warrant you thought yourselves happy at first. TWO MARRIED PEOPLE She My honey, my pug, He My fetters, my clog, Both Let’s tamely jog on as others have done, She And sometimes at quiet, He But oft’ner at strife, Both Let’s hug the tedious load of a married life. CUPID The joys of wedlock soon are past, But I, if I please, can make ’em last. Where love’s a trade and hearts are sold, How weak’s the fire, how soon ’tis cold! The flame increases and refines Where virtue and where merit joins. FOLLOWER OF CUPID Sound, sound the trumpet, let Love’s subjects know, From Heav’n’s high vault to Erebus below, That from this hour their discords all shall cease; Love, that can only do it, will give ’em peace. TWO FOLLOWERS OF CUPID Make haste, make haste to put on Love’s chains, Ye heroes that delight in arms! Forsake fond honour’s gaudy charms; And join your trumpets to our rural strains. Trumpet Air GRAND CHORUS Let loud Renown with all her thousand tongues Repeat no name but his in her immortal songs. First Music Hornpipe Second Music Hornpipe (The curtain rises) Overture - Trumpet Tune FIRST ACT BOY Wake, Quivera, wake, our soft rest must cease, And fly together with our country s peace; No more must we sleep under plantain s shade, Which neither heat could pierce nor cold invade; Where bounteous nature never feels decay, And opening buds drive falling fruits away. GIRL (Quivera) Why should men quarrel here,where all possess As much as they can hope for by success? None can have most where nature is so kind As to exceed man s use, though not his mind. BOY By ancient prophecy we have been told, Our land shall be subdu d by one more old; And see that world already hither come. GIRL, BOY If these be they we welcome then our doom. BOY Their looks are such that mercy flows from hence, More gentle than our native innocence; By their protection let us beg to live They come not here to conquer, but forgive. GIRL, BOY If so your goodness may your power express, And we shall judge both best by our success. Trumpet Tune SECOND ACT Symphony FAME AND CHORUS I come to sing great Zempoalla s story Whose beauteous sight so charming bright Outshines the lustre of glory. We come to sing great Zempoalla s story Whose beauteous sight so charming bright Outshines the lustre of glory. ENVY AND TWO FOLLOWERS What flattering noise is this, At which my snakes all hiss? I hate to see fond tongues advance High as the Gods the slaves of chance. What flattering noise is this, At which my snakes all hiss? FAME Scorn d Envy, here s nothing that thou canst blast Her glories are too bright to be o ercast. ENVY AND FOLLOWERS I fly from the place where flattery reigns, See those mighty things that before Such slaves like gods did adore Condemn d and unpitied in chains. I fly from the place where flattery reigns. I hate to see fond tongues advance High as the Gods the slaves of chance. What flattering noise is this, At which my snakes all hiss? FAME Begone, curst fiends of Hell, Sink down, where noisome vapours dwell, While I her triumph sound, To fill the universe around. FAME AND CHORUS I come to sing great Zempoalla s story Whose beauteous sight so charming bright Outshines the lustre of glory. We come to sing great Zempoalla s story Whose beauteous sight so charming bright Outshines the lustre of glory. THIRD ACT ISMERON Ye twice ten hundred deities To whom we daily sacrifice, Ye pow rs that dwell with fates below And see what men are doom d to do, Where elements in discord dwell Thou god of sleep arise and tell Great Zempoalla what strange fate Must on her dismal vision wait. By the croaking of the toad In their caves that make abode, Earthy dun that pants for breath With her swell d sides full of death, By the crested adders pride That along the cliffs do glide, By thy visage fierce and black, By the death s head on thy back, By the twisted serpents plac d For a girdle round thy waist, By the hearts of gold that deck Thy breast, thy shoulders and thy neck, From thy sleeping mansion rise And open thy unwilling eyes, While bubbling springs their music keep, That used to lull thee in thy sleep. Symphony (The God of Dreams rises) GOD OF DREAMS Seek not to know what must not be reveal d, Joys only flow when hate is most conceal d. Too busy man would find his sorrows more If future fortunes he should know before; For by that knowledge of his destiny He would not live at all but always die. Enquire not then who shall from bonds be freed, Who tis shall wear a crown and who shall bleed. All must submit to their appointed doom, Fate and misfortune will too quickly come. Let me no more with powerful charms be press d I am forbid by fate to tell the rest. Trumpet Overture AERIAL SPIRITS Ah, how happy are we! From human passions free. Ah, how happy are we! Those wild tenants of the breast, No, never can disturb our rest. Ah, how happy are we! Yet we pity tender souls Whom the tyrant of love controls, Ah, how happy are we, From human passions free! We the spirits of the air That of human things take care, Out of pity now descend To forewarn what woes attend. Greatness clogg d with scorn decays, With the slave no empire stays. We the spirits of the air That of human things take care, Out of pity now descend To forewarn what woes attend. Cease to languish the in vain Since never to be loved again. We the spirits of the air That of human things take care, Out of pity now descend To forewarn what woes attend. ZEMPOALLA I attempt from love s sickness to fly in vain, Since I am myself my own fever and pain. No more now, fond heart, with pride no more swell; Thou canst not raise forces enough to rebel. I attempt from love s sickness to fly in vain, Since I am myself my own fever and pain. For love has more power and less mercy than fate, To make us seek ruin and of those that hate. I attempt from love s sickness to fly in vain, Since I am myself my own fever and pain. Third Act Tune Rondeau FOURTH ACT ORAZIA They tell us that your might powers above Make perfect your joys and your blessings by love, Ah! Why do you suffer the blessing that s there To give a poor lover such a sad torments here? Yet though for my passion such grief I endure, My love shall like yours still be constant and pure. To suffer for him gives an ease to my pains; There s joy in my grief and there s freedom in chains. If I were divine he cou d love me no more, And I in return my adorer adore, O, let his dear life then, kind gods, be your care, For I in your blessing have no other share. Fourth Act Tune Air FIFTH ACT CHORUS While thus we bow before your shrine, That you may hear great pow rs divine, All living things shall in your praises join. HIGH PRIEST You who at the altar stand Waiting for the dread command The fatal word shall soon be heard, Answer then, is all prepared? CHORUS All s prepared. HIGH PRIEST Let all unallow d souls begone Before our sacred rites come on. Take care that this be also done. CHORUS All is done. HIGH PRIEST Now in procession walk along And then begin your solemn song. CHORUS All dismal sounds thus on these off rings wait, Your pow r shown by their untimely fate; While by such various fates we learn to know, There s nothing, no, nothing to be trusted here below. The Masque of Hymen (1695) Masquerade de Daniel Purcell Symphony HYMEN To bless the genial bed with chaste delights, To give you happy days and pleasant nights, Lo! I appear to crown your soft desires, And with this sacred torch to consecrate Love’s fires. A FOLLOWER OF HYMEN Come all, come all, Come, come at my call, Heroes and lovers, come away, Come all, and praise this glorious day. CHORUS Come all, and sing great Hymen’s praise, The god who makes the darkest night Appear more joyful and more bright Than thousands of victorious days. TWO MARRIED PEOPLE He I’m glad I have met him. She Let me come at him! He Bane of passion, She pleasure’s curse! Both Confounded inventor of better for worse! You told us indeed you’d heap blessings upon us, You made us believe you, and so have undone us. He In railing She and wailing, Both Lamenting, repenting, we pass all our days, What stomach have we to sing thy praise? HYMEN Good people, I’d make you all blest if I could, But he that can do it must be more than a god; And though you think now perhaps you are curst, I’ll warrant you thought yourselves happy at first. TWO MARRIED PEOPLE She My honey, my pug, He My fetters, my clog, Both Let’s tamely jog on as others have done, She And sometimes at quiet, He But oft’ner at strife, Both Let’s hug the tedious load of a married life. CUPID The joys of wedlock soon are past, But I, if I please, can make ’em last. Where love’s a trade and hearts are sold, How weak’s the fire, how soon ’tis cold! The flame increases and refines Where virtue and where merit joins. FOLLOWER OF CUPID Sound, sound the trumpet, let Love’s subjects know, From Heav’n’s high vault to Erebus below, That from this hour their discords all shall cease; Love, that can only do it, will give ’em peace. TWO FOLLOWERS OF CUPID Make haste, make haste to put on Love’s chains, Ye heroes that delight in arms! Forsake fond honour’s gaudy charms; And join your trumpets to our rural strains. Trumpet Air GRAND CHORUS Let loud Renown with all her thousand tongues Repeat no name but his in her immortal songs. Purcell,Henry/The Indian Queen
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SS Title Orb Of The Defender Type Quest Faction - Attribute - Archetype Mage Level - Game Text - Card Number 1U-(Uncommon,Oathbound) Lore -